Luca Giordano
1632-1705
Italian
Luca Giordano Gallery
Charles II of Spain towards 1687 invited him over to Madrid, where he remained for 10 years (1692-1702). In Spain, he produced works for the Royal Palace of Madrid, the Buen Retiro palace, El Escorial, Toledo, and other sites. Giordano was popular at the Spanish court, and the king granted him title as a "caballero". One anecdote of Giordano's speed at painting is that, he was once asked by the Queen of Spain what his wife looked like. On the spot, he painted his wife into the picture before him for the Queen.
In Spain he executed numerous works, continuing in the Escorial the series commenced by Cambiasi, and painting frescoes of the Triumphs of the Church, the Genealogy and Life of the Madonna, the stories of Moses, Gideon, David and the Celebrated Women of Scripture, all works of large dimensions. His Dream of Solomon (1693, now at Prado) dates from this period. His pupils, Aniello Rossi and Matteo Pacelli, assisted him in Spain. In Madrid he worked more in oil-colour, a Nativity there being one of his best productions. Related Paintings of Luca Giordano :. | The Archangel Michael Flinging the Rebel Angels into the Abyss | The Marriage of the Virgin (mk05) | The Dream of Solomon | The Forge of Vulcan | The Fall of the Rebel Angels (mk08) | Related Artists: david moniesHenry stacy marks,R.A.1829-1898
English painter. He studied with J. M. Leigh (1808-60) from 1847 and in January 1851 enrolled at the Royal Academy Schools. In 1852 Marks and P. H. Calderon spent five months studying in Paris under Fran?ois-Edouard Picot and at the Ecole des Beaux-Arts. The next year he made his d?but at the Royal Academy Summer Exhibition, where he exhibited annually until 1897. He was elected ARA in 1871 and RA in 1878. HORENBOUT, GerardFlemish Northern Renaissance Painter and Manuscript Illuminator, ca.1465-1541
Painter, designer, scribe and cartographer. He may have been the pupil of Li?vin de Stoevere ( fl 1463), the only painter of the five artists who guaranteed his admission fee into the guild of painters and illuminators in Ghent in 1487. Horenbout became a versatile and productive artist, painting altarpieces, portraits and illuminated manuscripts and designing tapestries and stained-glass windows. He also collaborated with the nuns of the convent of Galilee near Ghent in making a model garden with flowers made of cloth that he delivered to Margaret of Austria, Regent of the Netherlands, at her court in Mechelen. He seems to have achieved a degree of wealth commensurate with his output: in 1503 he acquired a house
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